WITH only a few weeks remaining for female singer-songwriters across the state to enter Queensland Music Festival’s (QMF) 2018 Carol Lloyd Award, artistic director Katie Noonan is calling out to musicians to enter the award for a chance to be presented with a $15,000 grant to kick start their career. 

The Carol Lloyd Award was launched in 2016 in honour of Australia’s first ‘Rock Chick’ Carol Lloyd, with the aim of supporting the state’s emerging female musicians. Each year, one exceptional artist either born in or currently residing in Queensland, is awarded the funding to assist in recording an original full-length album, or record and tour an EP, as well as broadening their experience in the music industry and connecting with some of Queensland’s most respected artists. 

In 2017, eclectic alt-pop musician Georgia Potter, also known as Moreton, was selected as the inaugural Carol Lloyd Award winner. Ms Potter has used the opportunity and Lloyd’s legacy to make crucial industry connections and take the next step in her career.

"The award has meant I’m now at the cusp of releasing Moreton's sophomore record. Without the funding or the support from the Carol Lloyd Award, I'm not sure I'd be standing at this juncture quite as quickly,” said Ms Potter. 

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THE Australia Council for the Arts has announced the eight recipients of the 2017 Australia Council Fellowships, each worth $80,000 over two years.

This year’s recipients are Hetti Perkins of NSW for Aboriginal and Torres Strait Islander arts; Stephanie Lake of Victoria for dance; Simon Spain of Tasmania for community arts and cultural development; David Haines of NSW for visual arts; Paul Jackson of Victoria for theatre; Willoh S. Weiland of Tasmania for emerging and experimental arts; Arnold Zable of Victoria for literature; and Andrée Greenwell of NSW for music.

Contemporary choreographer Stephanie Lake, the recipient of the fellowship for dance, will use it to support the development of a large scale work involving more than 50 performers. 

“This fellowship really allows me to keep going, and to be even more ambitious in what I can achieve,” Ms Lake said.

Paul Jackson’s fellowship for theatre will allow him to expand his practice as a multi-award winning lighting designer.

“This really is a key program for providing support and encouragement for mid-career and established artists,” Mr Jackson said. “It enables you to do those things that simply aren’t possible when you're going from job to job trying to make a living.”

The recipient of the community arts and cultural development fellowship, Simon Spain, said the fellowship would support him to continue creating and connecting communities of young people through the arts.

“It will allow me to better advocate for arts and artists in Tasmania and, importantly, to give more of my time to that work,” Mr Spain said.

For composer Andrée Greenwell, the music fellowship will allow her to pursue a series of ambitious projects, including the development of a new work for Opera Queensland.

“I’m honoured and very excited to be undertaking collaborations with leading Australian artists and organisations through this award,” Ms Greenwell said.

Arnold Zable’s fellowship for literature follows more than three decades of storytelling and literary achievements.

“I think it’s important for our culture. To have an Australia Council, and to have support for the arts in this form is an acknowledgment that the arts matter,” Mr Zable said.

Australia Council Fellowships are offered once a year, with applications assessed and awarded by a peer panel made up of experts in the relevant art forms. Applications for the 2018 Fellowships are open until June 5t 2018.



BRISBANE-based start-up Creatively Squared won this year's Creative3 Pitch competition – claiming Australia’s Creative Business Cup – presented at the opening of the recent Creative3 Conference.

Founders Ruth Stephensen and Scott Thomas took out the top prize for their custom visual digital marketing platform that pairs creatives with brands looking for more engaging content.

Hosted by QUT Creative Enterprise Australia (CEA), Creatively Squared will now go on to represent Australia as part of the Creative Business Cup challenge in Denmark in November, as well as take part in the Virgin StartUp accelerator program, StepUp. 

“We’re so excited to have won the Creative3 Pitch today,” Creatively Squared co-founder and chief creative officer, Ruth Stephensen said.

“We’ve built our platform to be global from day one, so to be able to share our vision on the world stage at the Creative Business Cup is a great opportunity for us.

“We’re so thankful that CEA gives creative businesses like us the opportunity to challenge ourselves and present our businesses at this level. It’s really positive to see the creative industries in Australia continue to diversify and grow.” 

The Creative3 Pitch breakfast kicked off the beginning of the Creative3 Conference at the Brisbane Convention Centre on September 22.

Creative3 is Australia’s only conference for creative tech start-ups. The conference gives start-up founders the opportunity to hear from international and national speakers, as well as experts within the industry, including SOSV managing director William Bao Bean and Annie Parker from Fishburners and Code Club Australia. 

“We’re really pleased with the calibre of talent presenting at the CreativePitch this morning,” QUT Creative Enterprise Australia acting CEO Mark Gustowski.

“Starting a company from scratch and working it to scale is challenge enough in itself, let alone presenting that company to a room full of potential investors and experts in your industry.

“We’re really proud to be able to offer up Creatively Squared as the Australian representative for the Creative Business Cup, and look forward to being able to follow their growth in the years to come.”

Other finalists for the Creative3 Conference were start-ups Pluss, Postie and Folktale.  



THE ONLY plus-size label to feature on the runway at the 2017 Mercedes-Benz Fashion Festival in Brisbane, Platinum Plus, is poised for a paradigm shift in how Australian fashion caters to women of all body types.

The label’s founder and designer, Angela Rose has been accustomed to breaking boundaries from a young age.

From struggling to fit clothes for her age and gender in a small, rural town, to overcoming immense personal battles including the loss of both her father and her marriage, Ms Rose turned her misery into perseverance and gained the courage to realise her dreams, forging Platinum Plus into a creative business reality. 

Inspired by a love for fashion, and a desire to make women of all sizes feel beautiful, she created a range of samples for herself and friends. They were a resounding hit – and Platinum Plus was born.

Countless hours, endless late nights and unexpected costs later, Ms Rose’s first ever line, the 2017 Spring/Summer collection, was picked up by the Mercedes Benz Fashion Week in late August.

It was also featured at the Sunshine Coast Women’s Lifestyle Expo in early September.

Platinum Plus will exhibit at RAW Brisbane on November 16 and Ultimate Women’s Weekend Lifestyle and Wellbeing Expo in 2018.

For Angela Rose, her line represents everything that ‘traditional’ plus size clothing does not – bright colours, daring cuts and, most importantly, personality.

“Much of the line was made using dreamy Ankara fabric, which we use to keep women comfortable throughout the day and night,” Ms Rose said. “The 100 percent cotton fabric is tightly woven and hugs and drapes every womanly curve.”

The collection, which includes dresses, skirts, tops, shorts and pants, features figure-flattering waistlines which make the garments completely wearable in all situations, she said, “from the boardroom to the bar and everywhere in between”.

“Whether it’s a job interview or date night, Platinum Plus has women feeling fabulous and perfectly themselves,” Ms Rose said.

Platinum Plus’ Spring/Summer line is available in sizes 14-28, and by request in sizes 8-12.

Platinum Plus is using the fashion events for promotion and a range of online stores for distribution, as well as its own website.





SCREEN Australia has announced a new Australian-Chinese co-production feature At Last, making it the eighth official co-production to receive approval.

The announcement was made at a screen industry networking event in Beijing recently, in partnership with Ausfilm and the Department of Foreign Affairs and Trade. The event was designed to further energise Australian-Chinese working relationships and identify co-production opportunities with Chinese producers and production companies. 

In attendance were Ausfilm members including Screen NSW, Film Victoria, Screen Queensland, Screenwest, City of Gold Coast, Soundfirm, Spectrum Films, Show Group, Stage & Screen and The Appointment Group.

Stand-alone private enterprises were also present, including production house Sydney Films which intends to identify 20 existing or potential co-production films with a total investment budget of A$400 million (¥2 billion*).

Screen Australia manages the official co-production program on behalf of the Australian Federal Government.

“We have seen increased interest in Australian-Chinese co-productions with At Last being the fourth feature announced since late 2015,” Screen Australia’s head of business and audience, Richard Harris said.

“This upswing in activity is the result of seven years of engagement with the Chinese screen industry and the sustained support of the State Administration of Press, Publication, Radio, Film and Television in China.

“China is currently the world’s second-largest movie-going market and co-productions are an essential growth stream for the Australian industry, this is over and above the existing appetite for Chinese television and film productions being shot in Australia.”

Ausfilm CEO Debra Richards said, “We have been building the Australia China Film Industry Exchange in partnership with Screen Australia and the Australian Embassy in Beijing for the last seven years. And more recently Ausfilm and its members, with the support of the Embassy have brought an annual delegation of Chinese filmmakers to Australia to see the locations; the state-of-the-art facilities, studios and services; and to meet with Australia’s world renowned technicians, crew and talent - essentially to experience all that Australia has to offer.

Bleeding Steel, which filmed in Sydney and starring Jackie Chan, is one such outcome of this ongoing relationship.”

The latest co-production At Last is the story of a couple from Beijing who find themselves caught in a complex art heist while on holiday in Australia. The feature will be written and directed by Yiwei Liu and produced by Jackie Jiao, Todd Fellman, Charles Fan and Vanessa Wu, from China's Monumental Films, Australia’s Roadman Films and Story Bridge Films.

Casting is currently underway with production expected to commence in Australia from mid-July. Financing will be provided by Orient Image Entertainment, Gravity Films, Shineland Media, China Lion and Screen Queensland. 

Screen Queensland CEO Tracey Vieira said At Last would shoot in Queensland, providing approximately 200 jobs and injecting $10.8 million into the local economy.

At Last has come to Queensland as a direct result of the Queensland Government’s $30 million screen industry funding injection over four years,” Ms Vieira said.

“The film will showcase a range of Queensland locations and will be the setting for this film which has the potential to grow tourism from China into our state,” Ms Vieira said. “Queensland producers have been working extensively to build relationships with Chinese producers and it is fantastic to see another official co-production in our State.”

At Last is the eighth Australian-Chinese co-production announced since the official treaty was put in place in 2008, and joins a growing list which includes Guardians of the Tomb starring Li Bingbing from writer/director Kimble Rendall (Bait 3D) currently in post-production; and two additional features My Extraordinary Wedding and Tying the Knot which are yet to commence production.

A further feature Dog Fight wrapped production last year, with 33 PostcardsThe Dragon Pearl and Children of the Silk Road also produced to date.

Beyond co-productions, several Australian films have enjoyed Chinese box office success, most recently Hacksaw Ridge which grossed A$80 million (¥419 million) and was granted an extended theatrical release, rare for foreign films usually limited to a 30-day run.

This follows the success of cult hit Bait 3D which grossed A$24.4 million (¥127 million).

Australian films are also regularly selected for Chinese film festivals, including The Death and Life of Otto Bloom, which was shortlisted for the prestigious Tiantan Award at the 2017 Beijing International Film Festival in April.

In addition there are a growing number of Chinese productions being filmed in Australia, including Bleeding Steel starring Jackie Chan, which was the largest budget Chinese production ever to shoot in Australia and for which a new teaser was unveiled at the Beijing event.

The upcoming production Butterflies Across the Sea will be one of the biggest budget Chinese television series to ever have been filmed outside of China and joins Speed which recently wrapped filming in South Australia.

The number of Chinese films released in Australian cinemas is also increasing. There were  30 releases in 2015 compared to 13 releases in 2014. The 2016 hit The Mermaid  achieved A$1.3 Million (¥6.7 million) at the Australian box office.

Australia’s Ambassador to China Jan Adams  said, “The Australian Embassy proudly supports Screen Australia, Ausfilm and the Australian screen industry. Our work together delivers public diplomacy and economic diplomacy benefits by highlighting Australian creative excellence, deepening cultural understanding and delivering business opportunities in a fast growing market. 2017 is the Australia China Year of Tourism and marks the 45th anniversary of diplomatic relations. It is a great time to be making co-productions.” 




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